“Everybody wants to understand art. Why not make an effort to understand the song of the bird?…those who make an effort to explain pictures are usually barking up the wrong tree.” – Pablo Picasso
What Picasso says about understanding art is very related to the way we approach abstract paintings. Lots of people think that abstract paintings must have a specific concept of some sort, that could be clearly understood and articulated if perhaps they knew how. This misconception is not helped from the endless flow of people prepared to spout nonsense in regards to what believe that the artist was trying to say. The almost inevitable consequence of this example is the fact that people can either feel like they are being excluded from sharing in some secret knowledge, or alternatively conclude that Contemporary Abstract Painting is certainly all a sham. In any event, the end result is the fact that lots of people usually do not feel well-disposed towards modern art or abstract paintings.
I certainly identify with Picasso’s remark so far as my own paintings are concerned. If I had a specific message or perhaps a which means that I was able to articulate in words, i would articulate it in words – the painting could have no purpose. The entire reason for creating an abstract painting is that it embodies something that only it could, in a way that cannot be put into words. It is far from an essay it really is a painting – it encompasses and expresses things in a language that is certainly unique for the medium of paint. This is why we must not try to ‘understand’ abstract paintings in the manner people sometimes feel they ought so that you can.
The viewer must not look for a clear narrative in an abstract painting – it is not planning to tell a story, or refer to an external ‘subject’ in the same manner that the figurative painting will. But that does not necessarily mean there is no meaning or no subject, or that abstract paintings cannot get in touch with and move people. When asked about subject matter, the Abstract Expressionist artist Jackson Pollock said, “I am just the subject”. Pollock’s statement is not only true, it is actually inevitable.
The experiences, personality, memories and mood of the abstract artist cannot help but be fed into the painting in the event the artist approaches the work inside an open and honest way. I do not require an outside subject or idea before I will create Hand Painted Oil Paintings – I simply begin. The reality that I am just me without any-one else is the reason why my work different to anyone else’s, and also the same wzjtrs true of all artists. The colours I select, the marks a make, the accidents I select to go out of, or even to obliterate, these are everything which i choose due to who I am.
Should you present a number of different artists with similar basic design on a canvas and ask them to pick-up a brush and develop the painting, the variations in what they would elect to do could be enormous. I have watched other abstract artists at work on paintings and thought “I would personally never in a million years have chosen that colour and put it there.” Not because I believe it is wrong or bad, but since they are who they are and (to quote that other leading artist, Morrisey!) “only I am I”.
Abstract paintings – There are many great varieties of painting available, as a result of a wealthy art history which includes seen movement after movement. The term abstract art is frequently used a blanket term to explain non-representational art – this is the lack of recognisable subjects. Abstract art was connected to the rise of modernism during the last century, coming into the mainstream with abstract expressionism in post-war art yet still continuing to influence artists today.
What brought concerning the qualities we have seen in abstract art? The flattening of the artist’s canvas surface is one major quality, as artists moved from a convincing illusionism towards broader-minded thinking. With the invention of photography releasing the artist from painting as a way of recording reality, they began seeing the canvas surface as an object in the own right, with all the canvas becoming a single, flat expansive surface. Paint ‘acted’ and affected the flat surface and begun to form its own qualities according to the actual way it was handled. The paint could exhibit ‘personality’, it had its very own dimensions and exposed a multitude of different techniques we have seen in artwork with the last century. One of the primary reasons artists began Extra Large Paintings inside an abstract way was the opportunities for greater creativity. It allowed to get a greater selection of expression and the creation of ideas that were not reliant on representing reality any more.